GSR Redesign Websites

Team 1:

  • Effective
    •  The simplicity of the header and the image of the inkwell with an oak leaf quill struck me when I first opened the page.  I thought it had incredible aesthetics and efficacy.
    •  Tour (video) of GreenSpring campus
    •  The idea to tag authors/artists in each post to make them easy to find
    •  I like the idea of having featured events on the side bar and its interactivity
    •  Simplicity of the “About” page.  It does not have an overwhelming amount of the team’s information, which is good for the viewer.
  • Improve
    • The book background is a little busy.
    • The “Submissions” page is wordy.  I think it could be condensed and/or provide an attachment to all of the guidelines.
    • I like the other teams’ ideas of having a direct submission on the website opposed to through email.
    • The “Home” page does not contain many interactive elements.  I like the other ideas of having featured work.
    • The “Issues” tab is a little bland.  When clicking on the types of art/creative pieces, it takes you to all of the work, but they only have a title and author/artist.  There needs to be some more visual elements.

Team 2:

  • Effective
    • I like the image in the header a lot; it is very symbolic and has subtle connections to Stevenson.
    • I really like the archives tab, especially for after GSR has been around for a while.  The literary websites we looked at for the rhetorical analysis contained archives.
    • I like the idea of quotes from the editors because it shows their personal involvement in the magazine.
    • I liked having a snapshot of the creative writing/poetry pieces and the option to read further.
    • I enjoyed that they organized the content by genre and then issue.  This is how The Paris Review organized their content as well.
  • Improve
    • Besides the small image in the header, it is rather boring to look at because it is just a dulled white screen.
    • I don’t like the font chosen for the featured pieces and their titles.  It is easy to overlook even with the underlining.
    • There is a lot of scrolling involved in looking at pages like the “visual art.”
    • There is a lot of blank, white space on the “Home” page, and there is not much interaction for the viewer.
    • Though there is easy submission on the website, there is still a wall of text prior to the submissions, which could be a deterrent.

Team 3:

  • Effective
    • I like the idea of featured pieces displaying multiple types of creativity as well as submitted artwork for the issue cover
    • I liked the idea to create a collective “About” page then having a picture of each contributor.
    • The idea of a subscription to the magazine is a good way to get a better following for GSR.
    • Having submission through the website is very effective.
    • I like the way content is displayed upon clicking the type of multimedia (in squares).
  • Improve
    • There is a lot of white space on the “Home” page, and the image in the header does not seem relevant.
    • I think the headers should be in a different font.  There a little boring to look at, and I pass over them easily.
    • I think the issues should be more clearly labeled, or there should be more separation between the two issues it displays now.  They blend together.
    • The side bar seems a little redundant because of the issue links then four more links to the specific art and writings.
    • There is not much connection to Stevenson besides the small Facebook feed on the side bar, which is something the GSR staff expressed a subtle need for.

I am voting for Team 1.  I really enjoyed the easiness in navigation, but it was also interactive, which is important for user experience.  The main suggestion I would make is to mimic the other teams’ ideas to have a direct submission option through the website opposed to a separate email.

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